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"Navidad: A Mexican-American Christmas" celebrates the holiday traditions experienced by a young person of Mexican immigrant parents growing up in New York City. Experiencing traditions from Aztec-inspired dance to Christmas carols, the youngster tries to bring their two worlds together. In a dream, they imagine the fusion of Mariachi music with Tchaikovsky, folk dance with ballet, and the wonderment of their two cultures. But a tempting character preaches the separation of these customs, and the youngster must choose.
"Navidad" was developed and premiered at Thalia Spanish Theatre in November 2018 under the Artistic Direction of Alberto Lopez Herrera, Music Direction by George Saenz, and co-story writer Juan Castaño. Dramaturg Gabriela Garcia was invited to help develop the story further and the final version of the show was performed at Queens Theatre and the Apollo Theatre in 2019.
The Departure: A young couple leaves their home in northern Mexico with a bittersweet farewell dance with their friends and family. The opportunities of New York City await them. There they find work as garment makers and, through long hours of hard labor, make their living and begin a family.
Mexican Traditions: Years have passed, and it’s the 12th of December. The sound of the church bells calls the family to the celebration of La Virgen de Guadalupe. At the gathering, the young girl observes the dances of the concheros, native dances honor the Aztec diety Tonantzin with now a strong Christian influence. The family enjoys the music of the mariachi and the dances in her honor. The parents look for every opportunity to share their traditions with their child with the hope that she will make the traditions her own.
The Holidays: When leaving school, the young girl learns of a special performance. There she enjoys popular holiday music and dance with her friends, very different from what she experiences with her family. The performance also brings a surprise- classical music and ballet featuring a toy soldier and a ballerina. At the end, friends welcome her into the after party with all performers dancing.
The Division: The young girl joins her family for a yearly ritual- making tamales for the posada they host on the 24th of December. Guests bring Mexican gifts of poinsettias, fruits and sweets, sweet bread, a piñata, music, and dance. The fandango begins! The parents urge the young girl to join them, but she remains apart. More guests arrive with la rama (the branch)- a Christmas tradition in Veracruz. Unable to enjoy the celebration without her, the parents bring the young girl into the fandango against her wish. She wants for the celebration to include her music also. She tries to be heard first by her parents, other guests, but no one hears her. Unable to hold her frustration any longer, she storms out of the room, bringing the celebration to an end.
The Dream: Alone in her room, the young girl tries to understand what came over her. She turns to her phone to search for ideas and doesn’t find what she sees in her two worlds. The emotions have taken their toll on her, and she can’t resist a deep sleep. When she awakens, the bright colors of the day call to her. Abruptly she realizes she is not in her home, but in fact in a wintery world. She dances with joy in this new land only to pause when a distant sound approaches. She hides while magical dancers move gloriously. They welcome a Charro Toy Soldier. His friendly demeanor put her at ease. Nearby, though, a mischievous character stalks the soldier and girl, offering a warning of separation. The soldier brings other friends including Las Hadas (the fairies), Santa’s Tapatias, and more Charro Toy Soldiers. Out of the shadows, Diablo appears with his message. Diablo is not evil. Diablo simply wants for all to be clear and separate. Very separate. The creatures of this world fear Diablo because their existence is just what Diablo wants to undo. But the young girl wants to hear what Diablo has to say. The Charro Toy Soldier returns with reinforcements- one of the brave hadas who believes cultures can come together. Diablo and La Hada duel for the young girl.
Rejoining Family: The young girl awakens from the dream-turned-nightmare to find her parents watching over her. Her delight in seeing them can’t be contained. Together they rejoin the celebration that continues. There she surprises her parents with a gift they had long hoped to receive.
"Honestly Calpulli should be on Broadway. The storytelling, dancing and production are that good....Dance is a universal language, and Calpulli is expert at touching our common humanity."
-New York Latin Culture
"New York is a city of immigrants. The stories that Calpulli tells resonate with anyone who is on the journey of becoming a New Yorker."
-New York Latin Culture
Alberto Lopez Herrera
Juan Castaño
George Saenz
Alberto Lopez Herrera
Juan Castaño
Javie Dzul
Francisco Graciano
Noemy Hernandez
Grisel Pren Monje
Gabriela Garcia
Alberto Lopez Herrera
Elias Roldan
Amanda Gladu
Sergio Vidaña
Guadalupe Camacho
Valeria Medina
Aarón Chimal Carrasco
Judith González Ríos
Delia Olarte
Luz Ariadna Castillo Paredes
Aníbal Alcántara Becerril
Daniel Valle
Carolina Ortiz
Ariel Rodriguez
Join us on December 13, 2023 for a Student Matinée performance of an Educational Journey to Navidad
at Queens Theatre! 10:15 AM.
QUEENS THEATRE
Flushing Meadows Corona Park,
14 United Nations Ave S, Queens, NY 11368
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Calpulli Mexican Dance Company embraces and celebrates diversity in all its forms,
valuing every gender expression, race, and ability.
We welcome everyone and strive to create an inclusive space.